At the intersection of research and creativity, museum films require a particular approach to storytelling. Often designed to be shown continuously, they aim to captivate the viewer\u2019s attention whilst presenting scientific content.
These films involve filming interviews, capturing illustrative footage and, at times, staging scenes; conducting iconographic research in archive collections; editing and designing graphics in keeping with the exhibition\u2019s style; writing and recording voice-overs; structuring the film into chapters; and, of course, maintaining constant coordination with the client and the project\u2019s scientific advisors.<\/p>\n\n\n\n
Docudrama, 22 minutes, co-director, editor<\/strong><\/p>\n\n\n\n Directed by Kamea Meah Films, written by Pierre-Louis Fillet, director of the Departmental Museum of the Resistance in Vassieux-en-Vercors, and co-directed by Nathana\u00ebl Coste and Antoine Meyer.
Drawing on the expert insights of Philippe Hanus, Gilles Vergnon, C\u00e9line Dumas and Pierre-Louis Fillet, the film tells the story \u2013 through the voice of a young girl whose father was a member of the Resistance \u2013 of the uses and challenges associated with the spectacular roads of the Vercors plateau during the Resistance.
The documentary was screened at the museum as part of the temporary exhibition \u2018Roads at War! Vercors and Mobility 1939\u20131945\u2019, which ran from September 2020 to December 2021.
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